Competitive Dance

My daughter just completed her second year on a competitive dance team. Here’s what I fundamentally didn’t understand about competitive dance before I got to see it from the inside.

There are no rules.

For-profit companies travel from city to city hosting competitions. Each one has its own scoring, its own judging, its own schedule. There is no way to compare results from one competition to another.

Other artistic competitions like cheerleading and figure skating have standard scoring. Dance scoring is completely arbitrary.

There are no winners.

Dancers cannot say simply, “We took first place!” Each dancer performs in many different routines in different categories and possibly even different age levels (depending on the ages of other dancers in the same piece). Each piece is ranked in three or four different ways.

A typical awards ceremony runs over an hour, covering all the combinations of age, number of dancers, and styles of dance. “We took took first place in intermediate small group tap, against one other routine competing in that category, but didn’t rank for any of our other numbers” is about as concise a ranking as will ever be possible.

There is no sharing.

Dance is an artistic expression, but competitive dance must never be shared. Don’t record video. Don’t take pictures. Don’t share anything on social media.

Choreography is guarded like a trade secret, so even when a studio stages something amazing, hardly anyone will ever see it. Middle school band concerts the world over are readily viewable on YouTube, but I’ve seen some truly spectacular dancing in the last year and nobody but me and a handful of spectators in the room at the time will ever get to experience it.

We’re creating great art with the intention of hiding it from the world.

There is only dancing.

There’s a pervasive expectation that dancers are dancers to the exclusion of all other interests. If you want to dance you’ll give up your weekends, your summers, your prom, your family vacation… you’re a dancer first, last, and exclusively.

Surely that’s the perfect mindset for some dancers, but it clashes with the norm for middle school children that many activities are worth trying. Competitive volleyball for an eleven year old takes up only six weeks of the year, but dance for the same age level somehow requires the entire calendar.

There are only dollars.

As an entirely for-profit industry, the costs are astronomical. Plenty of articles about high school sports feature parents griping at the costs climbing to as much as $1,000 for a year — how outrageous!

One year of competitive dance costs $9,000 for only the minimum required activities — plus travel and lodging in California for a full week for a “national” competition. Most dancers do more.


Competitive dance was a lot of fun for dancer and parents alike, but it’s nothing at all like any other middle school activity, and indeed nothing at all like I expected walking in the door for the first time.

Disneyland for Second Grade Princesses

We surprised Sophie with a trip to Disneyland last summer. At nearly seven years old, we weren’t sure how well she’d balance the childlike magic of so special a place with the adult demands: walking, scary rides, heat, and crowds. The Internet is filled with plenty of suggestions about Disneyland, including many for lowering costs and beating crowds. I have nothing to add to those lists. What I didn’t see anywhere were tips for making the experience magical. Here are the ones we learned this summer:

Watch the Parade

And watch it on the first day. The parade features a stream of recognizable Disney characters backed by powerful music, and fills the parade route with some intense Disney magic. The characters don’t just wave vaguely at the crowd; they make eye contact and acknowledge individual spectators. When Rapunzel looked down from her tower, smiled delightedly at seeing Sophie’s Rapunzel costume, and blew her a kiss, I melted. I can’t even recall the moment without tearing up a little.

There’s a great little viewing area between the Matterhorn and the Castle. It’s the only patch of ground not actually part of the parade route there, so once there you’re trapped for the duration of the parade, but that made the crowd wonderfully thin. And since nobody else can stand nearby, we got a lot of character attention.

Go in Costume

Sophie spent some time in princess costumes and some time in her regular clothes. The difference in the Disneyland experience was like night and day. Children and adults alike showered Princess Sophie with attention. Children tugged on their parents’ sleeves to point out the princess walking among them. Younger children seemed truly convinced they had just met Rapunzel herself. Adults curtsied and addressed her as “Princess” throughout the park.

If there happens to be a new character, that’s best of all. Merida costumes had just come out when we visited. Even cast members accustomed to seeing princesses come through their lines all day marveled at the new dress. Merida got easily twice as much attention as Rapunzel.

For what it’s worth, Tiana seems to have introduced a racial barrier to being a princess. We saw Belles, Auroras, and Cinderellas of all colors and nationalities, but we never saw a single white Tiana anywhere.

Visit Bippity, Boppity, Botique

This beauty salon exclusively for princesses and princes was the icing on top of our first magical day. I hadn’t realized this staple of the Magic Kingdom was also available in Disneyland, so we arrived without reservations but easily made an appointment for the same afternoon. (I don’t know if that would have been possible on a busier day.)

The Fairy Godmother engaged Sophie in conversation the entire time, not only treating her to the most elaborate hair and makeup application she’d ever experienced, but furthering the fantasy of Disneyland. She told of how Rapunzel, upon leaving her tower, had to learn about makeup from the other princesses. How if Sophie had taken a poison apple from the Evil Queen she might have to find and kiss Naveen (Princess Tiana’s frog) in the moat outside the castle. How Ariel often had her father transform her back into a mermaid to go swimming outside her Grotto (in California Adventure).

We paid about $50 for the hair and makeup and then tipped about another $50 to the fairy godmother, who well and truly delivered some Disney magic. More expensive packages include new dresses, professional photos in a carriage, and other accoutrements, but the basic hair and makeup was more than enough. You also get a bag with all the makeup and accessories needed to redo the style the next day.

Skip the Princess Breakfast

Ariel hosts a brunch at her “Grotto” in California Adventure. It’s the only character meal featuring all the princesses together, but it was profoundly bad.

Meeting princesses throughout the park was lovely. The Fairy Godmother conspiratorially warned Sophie against taking any apples from the nearby Evil Queen. Ariel invited Sophie to go swimming with her, if King Triton would agree to give Sophie a mermaid tail — purple, of course. And the Mad Hatter grumpily insulted the uneven lengths of her pigtails, refusing to take a picture with her until he had evened them out.

But in Ariel’s Grotto, the interactions were too hurried, and the characters seemed unhappy to even be there. Four princesses tour the room (Cinderella, Aurora, Snow White, and Belle were there for us), and since everyone’s seated at the same time they make staggered grand entrances. We seated Sophie with the best view of the restaurant, but she still turned constantly in all directions in case anyone was approaching from behind her. She didn’t eat a single bite of breakfast until they all left the room. (We were among the last people in the restaurant — I suspect because many other families just left with hungry children and uneaten food.)

Disney regulars suggest greeting princesses with subtle prompts like, “It’s so lovely to see you again, Princess Cinderella!” or “Jessica has been nervous about meeting you today, your highness, but I’m so honored to make your acquaintance.” This helps the characters interact with your child, but it also enhances the fantasy — you’re happy to meet them too. At Ariel’s Grotto, this was impossible. Cinderella hurried to our table and scooped up Sophie’s autograph book before anyone could even get out a “hello” and very nearly signed it for the second time.

Look for princesses throughout the park. Maybe give a different character breakfast a try. But the Grotto is just a place to get exceptionally expensive scrambled eggs, and leave with children hungry of both belly and spirit.

Buy an Autograph Book

Our first stop upon entering the park was the souvenir shop. Even if you don’t think you’ll need one and your child swears disinterest, buy the book. We chose one with a pouch for a photograph on each page, so we were able to couple each signature with a picture of Sophie meeting that character — and that’s a priceless souvenir. But mostly, having an autograph book takes the awkwardness out of meeting the characters. Even if you have nothing to say, you can ask for an autograph.

Throw Away the Itinerary… At First

The guide books will tell you to tour in a logical sequence. Hit the big attractions first, or focus on one land at a time. That’s great advice, but not appropriate for your first day. The park can be absolutely overwhelming. Sophie couldn’t remotely begin to wrap her mind around the place, so she focused intensely on the most tangible attractions. Can we ride that big riverboat? Absolutely! Tom Sawyer’s island? Let’s go! King Arthur’s Carousel? Done!

After that we insisted on touring more practically (“Of course we can do Star Tours again, but what else would you like to do in Fantasyland first?”), but allowing complete flexibility on that first day gave Sophie the control she needed for the park to be mentally manageable.

Use FASTPASS… Properly

FASTPASS lets you skip the long lines at the most popular attractions. Novices may think you can have only one FASTPASS at a time. That’s not strictly true. You can get another pass as soon as it’s time to use your first one (whether you’ve used it or not) — with a maximum of two hours. So if you pickup a pass at 8:00 that lets you ride at 4:00 pm, you can still get your next pass at 10:00.

You can also hold passes for both parks separately, and World of Color doesn’t count at all. We picked up passes to Star Tours one morning on our way into the park. Then, when Sam took Sophie back to the hotel for a nap after lunch (another tip: everyone will need a nap — especially the adults), I quickly toured both parks, picking up passes to Splash Mountain, World of Color, and Tower of Terror all at once. On our way back into the park we got another Star Tours pass (so we now held five sets), and then rode attractions like crazy for the rest of the day.

Go All Out

Everyone has a budget, but remember that every corner you cut takes a little magic out of the trip. The on-site hotels are more expensive, but they make it easier to go back for a nap during the day. Food in the park is more expensive (though not exorbitant), but it’s easier to grab a quick lunch in between attractions. Snacks and souvenirs can make a dent in your budget too, but nothing says “vacation” as much as the phrase, “Of course you can have an ice cream cone!”

For us, bottled water was an unexpected cost. We planned to refill bottles from water fountains throughout the day like normal people, but we just couldn’t handle the taste. Buying bottles was absolutely worth it. Plus, we could just recycle them when we’d finished, and have fewer things to carry.

Cut whatever corners you have to cut to make the trip work. Just remember that part of what you’re buying is magic, and that may be worth a little extra money. We could probably go back to Disneyland this year on a lower budget, but I’d rather save up and have more flexibility next year.


Progressive offers a discount program called Snapshot where they electronically monitor your driving “to get away from the law of large numbers and focus on how you personally drive” (says my agent).

Here’s the deal. First, Progressive monitors three aspects of your driving:

  1. When do you drive? Midnight to 4 am are “high risk” hours. On weekdays, “medium risk” times are 4 am to 9 am, 3 pm to 6 pm, and 9 pm to midnight. On weekends it’s just 4 am to 6 am and 9 pm to midnight. All other times are “low risk”.
  2. How far do you drive? Averaging less than 30 miles per day (over a one week period) is good.
  3. How hard do you brake? Decelerating at 7 mph per second or faster is bad.

That last one is the hardest to intuit, since we don’t have deceleration gauges in our cars. Twice this week I’ve braked suddenly to avoid hazards (e.g., the guy who merged into my lane while I was still in it), and neither registered as a “hard brake”. Two others that didn’t feel sudden to me at the time did register.

Progressive is aware, of course, that sometimes stopping short is the safest maneuver. As my agent put it, “As your insurance company, we’d rather you brake hard than make us buy you a new car.” But doing it too often suggests you’re following too close: you should have time to decelerate gracefully even when the car in front of you stops.

Snapshot Speed Graph

Snapshot Speed Graph

The website shows a detailed graph of your speed during each “trip” (each time the ignition was started and then stopped). Knowing the route, it’s easy to figure out what happened when. Here, I left our neighborhood for the 60 mph highway, stopped at a red light in the middle, decelerated to turn onto a 45 mph road, et cetera. I can even see where I stopped at a light, inched into the intersection when it turned green, and then made my left turn.

But presumably you wouldn’t have deduced my route from my speed alone, and neither can Progressive. The tracking device does not have GPS installed.

(This doesn’t make it any less creepy that I can tell every time my wife stops for a Starbucks from the telltale “mostly stopped with occasional momentary 3 mph spikes” graph and the extra mileage.)

Progressive offers an initial discount after collecting data for 30 days, then a final discount after six to twelve months. “Final” means Progressive offers an initial discount after collecting data for 30 days, and then a final discount after six to twelve months. That final discount is permanent — you keep it as long as you’re insured with Progressive. When they first offered the program bad drivers could suffer a 5% increase, but they phased that out. Now the worst penalty is “no discount” and the best is 30% off.

A couple more facts that may be useful:

  • New trips appear on the website within a few hours.
  • The speed graph is a fixed size, so longer trips just get crammed into the same space, and a lot of the detail is lost. For trips of about five miles, it’s about the right size.
  • The speed graph doesn’t specifically indicate where your “hard brakes” are. You can sometimes tell visually, but it’s guesswork.